Bill Hartman 29:09–31:33
Yes. And again, keep in mind, if you think about a sequence of events: nervous system output, muscle behavior, connective tissue behavior. That whole sequence of events involves an amazing ballet of interplay. This is why anyone with small kids who have just learned to walk can be clumsy—they're trying to figure out how to coordinate all these elements at once. Eventually it becomes second nature. Does anybody play guitar? Are you good, Thomas? What's your go-to jam when you have to show off a little? Like some Travis picking stuff like Freight Train? Do you think about it when you're playing? Not in the least. See? There you go. So our behaviors become similar, and again, that comes from training and repetition. The coordination evolves over time, but you have to examine this from an interactive standpoint—multiple lenses: nervous system output, muscle behavior, what are the options? Under those circumstances, how would the connective tissues behave? What am I observing in context? Then work backwards: you hit this joint position, and you know you have enough eccentric orientation to get into this position. Have you ever seen people who dampen too much—land from a jump and take forever to leave the ground? They're incapable at that moment of tuning the connective tissue, so they rely on intramuscular coordination to tune the connective tissues for a favorable response. Maybe they can, maybe they can't. Then you go back to physical structure: why can't Johnny jump? Because he's a pylon, who will be a great accountant someday.
nervous system coordinationmuscle behaviorconnective tissue responsemotor learningbiomechanical interplay