SPEAKER_04 53:36–56:39
Then I create the delay and that creates the space for which I can turn into. Then that's where we superimpose the IR on top of it. If I don't have an ER space, if I don't create this delay strategy on this side, I can still orient the whole pelvis as a whole, but I'm using a compensatory strategy to do so because I don't have the relative motions available. So what I have to do then, Jason, is I have to create relative motions somewhere else. Sometimes I can just create it right there at the hip joint, but this is where you're going to start to see the foot change in the ground because the foot has an early propulsive representation. The pelvis has an early propulsive representation, that match. So if I don't have my true early representation where I have a yielding action here, on the backside of the pelvis, I don't have that representation in the foot anymore. So the foot's going to move as a single unit. The pelvis is going to move as a single unit. And so that's where you start to see people roll to the outside edge of their foot, right? Now I have to create internal rotation somewhere else. And I'm going to usually do that by an orientation where I'm going to tip the pelvis forward. But again, this just creates a cascade of compensations where instead of having relative motions to allow me to capture these positions, I'm using absolute orientations where I'm blocking multi-segmented areas into a single segment of motion. And now I actually reduce my ability to create turn. It's like I can orient myself so I can make myself right facing Yeah. But I'm not creating the segmental relative motions that I would use for a controlled segmental movement, which is what is desired when we're talking about these activities so I can acquire effective positions that allow performance to be consistent. Because what happens is, under the circumstances where I'm locking things into one piece, I get way too much signal, not enough noise. And so I can't make the small adjustments that I would normally make to smooth out movement. And so when you get like a golfer or a baseball pitcher that doesn't have these little segmental movements, what you see is inconsistency with ball contact if I'm a golfer or inconsistencies with the release point of the baseball if I'm a baseball player. Okay. Because these little adjustments here, these little relative motions that I do have available to me is what makes sure that I am consistent because I can make these small adjustments and it doesn't, it doesn't require any thought. It's just the connective tissue behavior, allowing me to capture these consistencies. Okay. Does that make sense?
superposition of ER and IRyielding and overcoming actionsconnective tissue mechanicspelvis movement patternssegmental motion